Hans-Walter Müller und das lebendige Haus technology though largely devoid of human

though largely devoid of human presence

Eike König

After the birth of their son in 1981

It examines questions such as how did the woman sitting on the tubular-steel chair become the most famous anonymous figure from the Bauhaus

An essay by Solveig Nelson focuses more deeply and directly on McQueen’s artworks in relation to film

Hans-Walter Müller und das lebendige Haus technology though largely devoid of humanThe publication is based on the editors discussions with the architect, civil engineer, and artist Hans Walter Mller, who has been developing forms of pneumatic architecture since the late 1960s. Mller has designed inflatable volumes for artists like Jean Dubuffet, Salvador Dal, and Maurice Bjart and has himself had his permanent home in an air structure on an airfield south of Paris since 1973. Hans Walter Mller und das lebendige Haus combines